“We’d been searching for a home in Park Slope for what seemed like forever,” she says. “At one point we tried to buy a big house with friends and split it in half, but it got very complicated very quickly. About that time I said to Jonah, ‘we just need a little house, where are the little houses?’ When we saw our house we both said: ‘it is definitely little!’ But compared to what we were used to, even though it’s only 12 feet wide it really is a lot of house. On top of that, it has a lot of original detail, gorgeous ceiling moldings, original stained glass. I’m sure I was staring at those pretty windows while ignoring words like ‘complete electrical/plumbing updates,’ [and] ‘mechanical redo’.”
Image Above: Nasozi Kakembo shares how important it is to showcase images and reminders of her family and Ugandan heritage for the benefit of her son in their Bed-Stuy, Brooklyn brownstone tour. This wall-hanging comes from Nasozi’s family, purchased in Liberia by her mother in the 1970s, “although the design provenance is Ivory Coast.” It is an example of her deliberate decorative process to instill a global and empathetic worldview in her son through the objects she places in her home.
Nestled down a country road, past oak trees, off the road and out of view from anyone passing by, sits a home built from the ground up, for and by homeowners and artists, Vivian and Walter Neill. Also on the large, wooded property is the blacksmith studio of homeowner Walter, a full chicken coop, and the art gallery that the Neill’s run together, Oxford Treehouse Gallery.